फिर खुला है दरे-अदालते-नाज़ ( Fir khula hai dare-adalate-naaz )

Friday, 14 March, 2014 

 गरचे है किस-किस बुराई से, वले बा ईं हमा 
 
ज़िक्र मेरा मुझसे बेहतर है कि उस महफ़िल में है।"
 
('ग़ालिब')
 
शब्दार्थ : (1) गरचे = हालांकि, (2) वले बा ईं हमा = इन सबके 

बावजूद 
 
Ghalib is saying that his beloved always names him while 

cursing but he feels that his curses are more fortunate that 

him which finds places near her.

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General Election is like a doorstep of lover...
 

"फिर खुला है दरे-अदालते-नाज़ 
 
गर्म बाज़ारे-फौज़दारी है। 
 

फिर हुए हैं गवाहे-इश्क तलब 
 
अश्कबारी का हुक्म जरी है।" 


शब्दार्थ::(1) दरे-अदालते-नाज़ = प्रियवर की अदालत का द्वार, (2) 

फौज़दारी = मार-पीट, (3) तलब = बुलाये गए, (4) अश्कबारी = आंसू 

बहाना

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Today is the death anniversary of MIRZA GHALIB :

"ये न थी हमारी किस्मत कि विसाले-यार होता 
 
अगर और जीते रहते, यही इन्तजार होता ।
 

तेरे वादे पे जीए हम तो ये जान झूठ जाना 
 
कि ख़ुशी से मर न जाते अगर एतबार होता ।


कोई मेरे दिल से पूछे तेरे तीरे-नीमकश को 
 
ये खलिश कहाँ से होती जो जिगर के पार होता । "

(-ग़ालिब')

शब्दार्थ:(1) विसाले-यार = प्रेमी से मिलन, (2) तीरे-नीमकश = वह 

तीर जो घाव में से आधा खींचकर छोड़ दिया गया हो, (3) खलिश = दर्द

 की टीस

Meaning of third sher : Ghalib says I am fortunate that my 

beloved has left me while my love was still rising. And that is 

why I am able to experience the rare kind of supreme 

emotional pain which was not possible, had she been with 

me. 

तेरी नाज़ुकी से जाना कि बँधा था अहद बोदा ( Teri naazuki se jana ki bandha tha ahad boda

Relationship based on delicacy is always tenuous :

"तेरी नाज़ुकी से जाना कि बँधा था अहद बोदा 
 
कभी तू न तोड़ सकता अगर उस्तुवार होता।"
 
(-मिर्ज़ा ग़ालिब)
 
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शब्दार्थ: (1) अहद = वादा, (2) बोदा = कमजोर, (3) उस्तुवार =

मजबूत 

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"तुम उनके वादे का उनसे ज़िक्र क्यूँ करो ग़ालिब

ये क्या कि तुम कहो और वो कहें कि  याद नहीं। 

 नहीं कि मुझको क़यामत का एतिक़ाद नहीं

शबे-फ़िराक से रोज़े-जज़ा ज़ियाद नहीं।

(-मिर्ज़ा ग़ालिब)

शब्दार्थ : (1) एतिक़ाद + विश्वास, (2) शबे-फ़िराक़ = जुदाई की रात,

(3) रोज़े-जज़ा = प्रलय का दिन, (4) जियाद = ज्यादा

Ghalib  says that it is futile to remind your beloved of the promise of love made by her if she is likely to retort that she can’t recall it. In next sher Ghalib says he is non-believer of the religious thought about the final day of the universe ( kayamat)  when every worldly thing will perish and people will get heaven or hell as per their entitlement based on their deeds. This is because nothing can be more destructive than the night of separation from beloved.

CONTEMPORARY MEANING of the first sher is that it is futile  to remind the political leaders of their promises made at the time of elections as they would not remember them after the elections. The message of second sher is that the deprived class should not waste time in searching solutions through religious rituals rather they should raise their voice strongly against the unjustified deprivation meted out to them.  
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हरचन्द कि हर शय में तू है ,, ( Harchand ki har shay me tu hai )

                 "हरचन्द  कि हर शय में तू है

पर तुझ-सी तो कोई शय नहीं है।

हाँ, खाइयो मत फरेबे-हस्ती
हरचन्द कहें कि है, नहीं है।"

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(-मिर्ज़ा ग़ालिब)

शब्दार्थ : (1) हरचन्द = यद्यपि,  although (2) शय = चीज,  (3) फरेबे-हस्ती = हस्ती का फरेब, illusion of existence

Ghalib says though his beloved exists in every thing since he sees her picture in everything but notwithstanding this no article/ thing is like her. In next ‘sher’ he cautions people not to be caught in the net of false feeling of self-existence. Ghalib says howsoever he might cherish the idea that he is existing in the world of his beloved, the reality is painfully the adverse. 

The gist of the sher is that though anyone may extract satisfaction from any article/ person but nothing in itself represents satisfaction. Also, it is silly to think about oneself that one possesses  importance for others. You are liked by other only to the point you are useful for them. It’s your usefulness and not you which matters for others. You yourself exist nowhere. 

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हूँ तेरे वादा न करने में भी राजी कि कभी .. ( Hoon tere wada na karne me bhi raji )

         

"हूँ तेरे वादा न करने में भी राजी कि कभी   

   गोश मिन्नतकशे  गुलबाँगे तसल्ली न हुआ।" 

(- मिर्ज़ा ग़ालिब)                 

 

शब्दार्थ : (1) गोश = कान, (2) मिन्नतकशे = मिन्नत पसंद करनेवाला, (3) गुल्बाँगे = बुलबुल की आवाज़

Ghalib says that he is agree with his beloved even without any of her promise as her ear could not be persuaded with beseeching prayers like a nightingale.

In essence, you will follow the thing you like eagerly even in face of no breakthrough from that side. 
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